There’s one reason and one reason only why we’re getting a Ghostbusters remake in 2016 instead of an actual Ghostbusters 3 five years ago. That reason is named Bill Murray and he’s been the not-so-secret sequel roadblock for as long as we can remember. But then he accepted a small role in the new reboot, because he’s Bill Murray and Bill Murray does whatever he wants. Sometimes that means randomly showing up at your birthday party. Sometimes that means popping up in a film franchise that he seemingly had zero desire to revisit. Now, Murray explains his reasons for joining a new Ghostbusters movie he was so vocally against.
All summer movie seasons end with a whimper and 2015 was no different. The final weekend of August was a pretty sad display across the board, with Straight Outta Compton nabbing the number one spot by default while just about every new release faltered. You know it’s a slow weekend when a movie promoted exclusively to faith-based audiences nabs the number two spot.
The original The Karate Kid is one of those seemingly untouchable slices of ‘80s nostalgia. Everyone above a certain age has a soft spot for it. It has effortlessly merged with general pop culture, with characters like Mr. Miyagi and lines like “Wax on, wax off” existing outside of the film that created them. It’s a touchstone … but what if it’s a touchstone that we have been misunderstanding for the past 31 years? What if Ralph Macchio’s Daniel isn’t the hero of the film, but actually – dun dun DUN – the real bad guy?
Every time a movie about and for audiences who aren’t white and male does well, everyone acts like it’s a big surprise. “Black people and women like movies? Who’da thunk it?” It’s actually not surprising at all that Straight Outta Compton had a massive opening, handily defeating its more standard competition. Because all kinds of people like movies and when you make movies for all kinds of people, you end up with huge weekends at the box office.
A few weeks ago, tracking for Mission: Impossible – Rogue Nation was supposedly in the toilet. Early reports suggested that Tom Cruise’s fifth outing as super-spy Ethan Hunt was not getting people excited. This would be the end, the experts said, of a franchise that has kept Cruise’s career surging forward for the past two decades. Well, that was apparently a big load of crap because Rogue Nation opened well and opened in the same ballpark as the rest of the franchise. Even with inflation differences, this series keeps on hitting the same box office sweet spot.
At the time of this writing, early estimates for the weekend box office have Ant-Man edging out Pixels for the top spot in this week’s top 10. That could change. With less than $1 million separating the films, Pixels may very well slide into first place tomorrow, winning one very close competition. But even if it does claim ultimate victory, it doesn’t change the fact that Pixels’ opening weekend is a massive disappointment and another nail in the coffin of Adam Sandler’s career.
Universal was already bathing in its Furious 7 and Jurassic World money Scrooge McDuck-style before Minions opened this week. Now the studio is looking at its third truly massive hit of the year, a run that feels nearly unprecedented. Universal already released two of the biggest movies of all time within the past four months, and now it’s looking like it may have three.
As expected, the Fourth of July holiday weekend saw a lot of people heading to the theater. Unfortunately for the new releases, those people gravitated toward films that have already been in theaters for a few weeks. Once again, Jurassic World and Inside Out dominated the top 10, leaving newcomers like Terminator Genisys and Magic Mike XXL out in the cold.
When Universal scheduled Ted 2, they surely had no idea that Seth MacFarlane’s swearing teddy bear sequel would be squaring off against one of the biggest box office juggernauts of all time...a juggernaut that they themselves had created. So it’s not surprising that Jurassic World topped the box office again and it’s not surprising that Pixar’s Inside Out held onto second place. What is a little surprising is how low Ted 2 opened, falling significantly short of its predecessor’s opening weekend.
Here’s how crazy this weekend is: Pixar’s Inside Out had the biggest opening for an original, non-sequel of all time...and it still came in second to Jurassic World’s second weekend. There’s literally nothing to ashamed of here. Sure, it may be the first time a Pixar movie hasn't opened in first place, but the only reason it didn’t open in first place is because it was dueling 2015’s greatest juggernaut. These two are worthy opponents and both are victors.
Talking dogs and cats have been a staple of animation since the medium’s earliest days, but The Secret Life of Pets trailer actually presents a fairly fresh take on this trope. The talking animals here are ordinary house pets, alone all day while their humans are at work, and we get to see how they pass the time.
The original Pitch Perfect grossed a modest $65 million at the domestic box office, which was just enough to justify a sequel. Three years later, Pitch Perfect 2 has just passed $160 million on a budget of only $29 million, so yeah, of course Universal is officially moving forward with Pitch Perfect 3. It turns out that a combination of snarky comedy and a capella remixes of pop hits is a license to print money. So much money.
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